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Glossary - Classical Dance
Terms used in Indian
classical dance


Bharata Nătyam - Indian classical dance style from South India
Kathak - Indian classical dance style from North India mainly Jaipur and Lucknow
Kuchipudi - Classical dance style from Kuchipudi village in Andhra Pradesh
Mohiniattam - Classical dance style from South Indian state of Kerala.
Odissi - Classical dance style from Orissa (India)
Kathakali - Indian classical dance drama of Kerala, a state in south India.
Nritta - Pure dance involving hand and body movements
Nritya - Interpretative aspect of dance involving Abhinaya
Bhăva - Mood
Thillana
- A lively musical form, usually set to be rendered in brisk pace. It is the Carnatic counterpart of the North Indian 'tarana'.
Rangapravesam or Arangetram -
This is the blossoming of the student of Bharatnatyam into a full-fledged artist and enters the stage for the first time.
Mudhras
are a means of communication for
the dancer to express the theme of the song. Common in south Indian classical dance.
Adavus-
are the basic steps taught to the students in Bharatanatyam.

Classical Dance
3rd International Odissi Festival PDF Print E-mail
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Written by Administrator   
Friday, 12 January 2007
3rd International Odissi Festival
A perfect treat for the culture-hungry audience of Orissa
Text & pics: Manasi Pandya, Baroda, INDIA
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3rd International Odissi FestivalOrissa on the eastern sea coast is the home of the highly sensuous and lyrical Indian classical dance form Odissi. A dance form born in the temples of India having philosophical and religious bent, Odissi is a beautiful art now practiced and celebrated all around the globe.

Every year, many practitioners of Odissi present their performances in solo, duet or groups. Odissi has traveled from smaller villages of Orissa to across many nations and continents. Festivals, lecture-demonstrations, workshops, performances take place each year in large numbers at various places and thus provide Odissi a path towards its promotion and popularization.

Last Updated ( Wednesday, 24 January 2007 )
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Silver Jubilee Celebrations of Nritya Kalamandiram, Bangalore PDF Print E-mail
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Written by Administrator   
Friday, 12 January 2007
Report by Ms.Lakshmi Sivakumar and Mr.P.Sivakumar

Anu - Shridhar“Shree” Silver Jubilee Celebrations of Nritya Kalamandiram, Bangalore speaks about a journey of the art so far so good, an initiative of a special day 25 years ago, Nritya Kalamandiram have ventured through all the ravages of times and tide, and today we have the “ Bangara Festival” as a most coveted event in the annals of Classical Dance. One evening amongst a series of presentation for the Silver Jubilee Celebrations was January 6, 2007. JSS auditorium, Jayanagar, Bangalore was the venue for the event. The Evening commenced with “Ganesha Stuti” by dancing duo Radhika Chaitanya and Vandana Bharadwaj, disciples of the well known Guru Smt.Bhanumathi With “Ganesha Stuti”. The Artist begin to offer prayers to the almighty seeking his blessings for a successful performance.
Last Updated ( Wednesday, 24 January 2007 )
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"Ekaantha-Seetha A lonely furrow" - A Review PDF Print E-mail
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Written by Sethuraman Subramanian   
Tuesday, 07 November 2006
By Sethuraman Subramanian
Ekaantha SeethaThe Cleveland Cultural Alliance's latest dance-drama production, "Ekaantha Seetha--a lonely furrow" is being staged this fall in several cities in the US after a premiere show in Chennai in September. It was staged in Durham, North Carolina on October 22nd, 2006. The thematic ensemble consisting of three different episodes--one from mythology, one from history, and the third from the current times--is presented as a symbol of the rise of women, not so much a feminist phenomenon but as a representation of women's determination, capability, and efforts to advance themselves and society in general. The producers have succeeded significantly in the propagation of that message through the 3-hour program. The troupe consisted of 17 dancers both from India and the US. The three episodes enacted were intended to link mythology and modernity by a common theme—emancipation of women.

 

Last Updated ( Wednesday, 24 January 2007 )
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Kerala Kalamandalam PDF Print E-mail
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Monday, 17 April 2006
Kerala Kalamandalam
Centre for Indian Performing Arts and Culture
By Christina Jackson

In its diamond jubilee year, Kerala Kalamandalam, set up by poet Kathakali faceVallathol Narayana Menon, has been awarded the status of  a deemed university, and henceforth it will be known as Kerala Kalamandalam Deemed Cultural University. It is the first cultural institution in the state to get the status of a deemed university.  A distinguished centre of excellence in performing Arts, Kalamandalam spearheaded the movement of cultural renaissance in Kerala. Established in 1930, the beautiful campus for performing arts seeped in classical music and dance, lies near the majestic River Nila in the village of Cheruthuruthy in Thrissur district.
Last Updated ( Wednesday, 24 January 2007 )
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Ramli Ibrahim and the Sutra dance theatre PDF Print E-mail
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Written by Administrator   
Sunday, 16 April 2006

-A Review by Vaishnavi Rao

Malaysian dancer and choreographer, Ramli Ibrahim, has become one of Malaysia’s most internationally acclaimed artists. A Muslim who is an ardent Ramli Ibrahim Sutra dance theatrepractitioner of both Bharatanatyam and Odissi, Ramli's creativity is an integrated experience transcending national, religious and racial boundaries.

From an early age, Ramli knew he wanted to become a dancer. As a young cadet at the Royal Military College in Malaysia in 1970, Ramli won an engineering scholarship and was the first of the bumiputras-indigenous Malaysians-to be sent abroad. Earning a bachelor’s degree in engineering from the University of Western Australia provided him with the unique opportunity to pursue his education while simultaneously developing his innate talent for dance.

Last Updated ( Wednesday, 24 January 2007 )
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