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Glossary - Classical Dance
Terms used in Indian
classical dance


Bharata Nătyam - Indian classical dance style from South India
Kathak - Indian classical dance style from North India mainly Jaipur and Lucknow
Kuchipudi - Classical dance style from Kuchipudi village in Andhra Pradesh
Mohiniattam - Classical dance style from South Indian state of Kerala.
Odissi - Classical dance style from Orissa (India)
Kathakali - Indian classical dance drama of Kerala, a state in south India.
Nritta - Pure dance involving hand and body movements
Nritya - Interpretative aspect of dance involving Abhinaya
Bhăva - Mood
Thillana
- A lively musical form, usually set to be rendered in brisk pace. It is the Carnatic counterpart of the North Indian 'tarana'.
Rangapravesam or Arangetram -
This is the blossoming of the student of Bharatnatyam into a full-fledged artist and enters the stage for the first time.
Mudhras
are a means of communication for
the dancer to express the theme of the song. Common in south Indian classical dance.
Adavus-
are the basic steps taught to the students in Bharatanatyam.
Glossary - Classical Music
Terms used in Indian classical music   
Karnatic Music/Carnatic Music - the classical music of South India.
Hindustani Music - North Indian classical music.
Rag/Raga/Ragam: A melodic concept within certain strict rules. Ragas are groups of notes that organise melody.Common in Indian classical music.
Tal/Tala/Talam :A time cycle, a rhythm structure and a measure applied in the act of keeping time.Common in Indian classical music.
Laya: Rhythm or Tempo. The tempo is regulated. The duration of rest between two strokes of 'matra' Is laya.Common in Indian classical music
Gharana : A school Of music representing a specific musical lineage or tradition.Term used in North Indian classical music.
Bol - This is the mnemonic system where each stroke of the drum has a syllable attached to it. These syllables are known as bol. Term found in Northy Indian classical music.
Bhajan — a hindu devotional song. Bhajans are sometimes used as light classical repetoire
Mridangam: A percussion instrument which is a common accompaniment in south Indian classical music and dance.
Tabla: A percussion instrument which is a common accompaniment in north Indian classical music and dance.
Guru-Shishya Parampara -The traditional teacher-disciple method of learning all forms of Indian classical music.

Classical Music
Indian classical Music PDF Print E-mail
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Saturday, 09 April 2005
Indian Classical Music


Indian classical music is one of the oldest forms of music in the world.Iits roots can be traced back into  areas such as the ancient religious vedic hymns, tribal chants, devotional temple music, and folk music. It is one of the most comlex music system in the world and is highly melodic in nature while swara and thala are the two basic componenets of the Indian classical music, the Western music  is typically based upon the equal tempered scale, and rests upon melody, harmony and counterpart.
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Navarasa A musical expression of emotions PDF Print E-mail
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Monday, 24 April 2006
Navarasa - A musical expression of Emotions
By Vaishnavi Rao

NavarasaBright afternoon light streamed in through the windows illuminating the main temple hall of the Hindu Bhavan at Morrisville NC, which resonated with the combined renditions of south Indian classical music by Triangles top three vocalists, Akila Ganapathy, Meera Krishnamoorthy and Mathangi Shankar. They were ably accompanied by P.K.Sridhar on the violin and Partha Aji on the mridangam. 'Navarasa - A musical expression of emotions' a well coordinated event which started promptly at 4:30 pm on 04/22/06, lasted for an hour and half, was fairly well attended by the rasikas of Indian classical music in the triangle.
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Three generations of musicians PDF Print E-mail
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Tuesday, 02 May 2006

Daniels Auditorium, North Carolina Museum of History, Raleigh.
Sunday April 30th, 2006. - By Vaishnavi Rao

It was a unique event featuring three generations of musicians on the same stage. N Rajam and Sangeeta ShankarLegendary violinist Dr. N Rajam her daughter Dr.Sangeeta Shankar and Rajam's grand daughters Ragini and Nandini Shankar. The event was organised by Indian classical music and dance society(ICMDS)  Raleigh, North Carolina.
Padma Bhusan Smt. N Rajam is one of the foremost violinists in Hindustani classical music, known for her mastery over the gayaki ang of instrumental technique. She was born into a musical family which boasted generations of talented violinists, including her brother T.N.Krishnan, the carnatic violinist. 
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The Flute Trio - A serene flow PDF Print E-mail
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Saturday, 20 May 2006
By Vaishnavi Rao
The flute recital by maestro N. Ramani, his son Thiagarajan and granson Athulkumar Dr.N Ramani on May 14,2006 at Green Hope High school, Cary, North Carolina, offered a combination of chaste tradition and pleasing melody. There were no gimmicks and their emphasis seemed, decidedly more on melody than virtuosity. The spirited mridangam  by father - daughter duo of Dr.P.K.Swaminathan and Rajna Swaminathan added to the charm and made it a memorable evening. The concert was organised by ICMDS, Raleigh, NC.
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