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Glossary - Classical Music
Terms used in Indian classical music   
Karnatic Music/Carnatic Music - the classical music of South India.
Hindustani Music - North Indian classical music.
Rag/Raga/Ragam: A melodic concept within certain strict rules. Ragas are groups of notes that organise melody.Common in Indian classical music.
Tal/Tala/Talam :A time cycle, a rhythm structure and a measure applied in the act of keeping time.Common in Indian classical music.
Laya: Rhythm or Tempo. The tempo is regulated. The duration of rest between two strokes of 'matra' Is laya.Common in Indian classical music
Gharana : A school Of music representing a specific musical lineage or tradition.Term used in North Indian classical music.
Bol - This is the mnemonic system where each stroke of the drum has a syllable attached to it. These syllables are known as bol. Term found in Northy Indian classical music.
Bhajan — a hindu devotional song. Bhajans are sometimes used as light classical repetoire
Mridangam: A percussion instrument which is a common accompaniment in south Indian classical music and dance.
Tabla: A percussion instrument which is a common accompaniment in north Indian classical music and dance.
Guru-Shishya Parampara -The traditional teacher-disciple method of learning all forms of Indian classical music.

Kathak PDF Print E-mail
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Written by Administrator   
Tuesday, 22 March 2005
Kathak

Kathak  is an Indian dance form that arose from the Vaishnava devotees dancing to the episodes from Krishna's life. Originally a Northern Indian temple dance, it was transformed to a court dance in the Mughal era. The new Muslim influence brought with it certain changes to the dance form: what had been a largely devotional practice now became more a courtly entertainment, and to that end various changes were effected. The demi-plié stance of most other Indian dance forms gave way to straight legs, and as many as 150 ankle bells on each leg were worn, to emphasise the newly complex footwork. It was also during this period that the signature 'chakars' (spins) of Kathak were introduced. The straight-legged position gave a new vitality to the footwork, which wove percussive rhythms in its own right, whether together with or in complement to the tabla and pakhawaj. Although now substantially different from the other Indian dance forms, the roots of the style are the same, and as such it displays a consanguineity with the others, particularly in the hand-formations during story-telling, and some of the body-postures.

Last Updated ( Sunday, 07 May 2006 )
 
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