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Glossary - Classical Music
Terms used in Indian classical music   
Karnatic Music/Carnatic Music - the classical music of South India.
Hindustani Music - North Indian classical music.
Rag/Raga/Ragam: A melodic concept within certain strict rules. Ragas are groups of notes that organise melody.Common in Indian classical music.
Tal/Tala/Talam :A time cycle, a rhythm structure and a measure applied in the act of keeping time.Common in Indian classical music.
Laya: Rhythm or Tempo. The tempo is regulated. The duration of rest between two strokes of 'matra' Is laya.Common in Indian classical music
Gharana : A school Of music representing a specific musical lineage or tradition.Term used in North Indian classical music.
Bol - This is the mnemonic system where each stroke of the drum has a syllable attached to it. These syllables are known as bol. Term found in Northy Indian classical music.
Bhajan — a hindu devotional song. Bhajans are sometimes used as light classical repetoire
Mridangam: A percussion instrument which is a common accompaniment in south Indian classical music and dance.
Tabla: A percussion instrument which is a common accompaniment in north Indian classical music and dance.
Guru-Shishya Parampara -The traditional teacher-disciple method of learning all forms of Indian classical music.

Kuchipudi PDF Print E-mail
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Written by Administrator   
Tuesday, 22 March 2005
Kuchipudi

Kuchipudi 
is a classical dance form from Andhra Pradesh, a state of South India. Kuchipudi is the name of a small village in the Divi Taluq of Krishna district that borders the Bay of Bengal and with resident Brahmins practising this traditional dance form, it acquired the present name.

With the dance form attaining perfection by the time of Golconda king Abdul Hassan Tanesha, Kuchipudi brahmins are said to have received 600 acres (2.4 km˛) of land as an endowment from Tanesha for the great presentation before him.

Siddhendra Yogi is said to be the first scholar to give it the current form of dance drama. Bhamakalapam is one of his celebrated compositions. He also reserved the art to males by teaching it to young brahmin boys of the village. However, in modern times, the art has been dominated by women.

The performance usually begins with some stage rites, after which each of the character comes on to the stage and introduces him/herself with a daru (a small composition of both song and dance) to introduce the identity, set the mood, of the character in the drama. The drama then begins. The dance is accompanied by song which is typically carnatic music. The singer is accompanied by mridangam (a classical South Indian percussion instrument), violin, flute and the tambura (a drone instrument with strings which are plucked). Ornaments worn by the artists are generally made of a light weight wood called Boorugu.

Some of the well known people in this tradition are Dr.Vempati China Satyam, Vedantam Lakshminarayana, Tadepalli Perayya, Chinta Krishna Murthy, Padma Sri Vedantam Sathya Narayana Sarma, Pasumarthi Venu Gopala Krishna Sarma,Raja Reddy and Radha Reddy, and Anuradha Nehru.

The Kuchipudi Arts Academy, was established in Chennai by Dr. Vempati Chinna Satyam specifically for kuchipudi training.

Last Updated ( Monday, 30 January 2006 )
 
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